Proximity of Uncertainty, presented within a vertical field of encounter, was installed at Te Wai Ngutu Kākā Gallery. Suspended and leaning, these thin, skin-like structures occupy a delicate threshold between presence and absence, form and formlessness. Fragile yet resilient, they tentatively inhabit a space of transience, where boundaries remain permeable, and form is neither fixed nor resolved. Through their material and spatial arrangement, they give expression to the emergence of form from a condition of relational possibility. Constructed from composite cellulose rice paper, the configuration brings together forms that appear to hover at the margins of stability. Their translucency and apparent fragility evoke a sense of intimate temporality, while the material's inherent responsiveness holds the potential for transformation through encounters with elemental forces such as water, air, and heat. The work exists in a state of delicate contingency, where its material boundaries suggest not fixed limits but the possibility of change.